

Thank
you to everyone who generously donated their time and support to make the
‘Stars & Screen’ Film & Media History Conference possible. Special
thanks, gratitude and much appreciation to the Rowan University
College of Communication and Creative Arts and the CCCA Deans office for generously supporting the Stars &
Screen Conference with a
CCCA STORI Grant to fund and enable this interdisciplinary event. Thank
you!
Rowan University will be hiring two Media Studies professors; please apply at the jobs.rowan.edu website. Here are a few highlights and photos of our event:
Rowan University will be hiring two Media Studies professors; please apply at the jobs.rowan.edu website. Here are a few highlights and photos of our event:

In the ‘Golden
Age’ of Classical Hollywood Cinema, MGM was known as the motion picture studio
with ‘More Stars Than There Are In Heaven.’ In fact, ‘Stars’ have illuminated
cinematic screens for over 100 years, from classic movie stars (Bogart, Bacall,
Hepburn, Chaplin) to films about Hollywood’s star factory (A Star Is Born, What Price Hollywood?) to shooting stars (Deep Impact), falling stars (Sunset Boulevard, Raging Bull), and
stars in ‘space, the final frontier’ (Star
Trek) in a ‘galaxy far, far away’ (Star
Wars). Digital video streaming and binge watching of films and media
re-imagines and creates new moving image ‘stars’ transforming the cinematic or
televisual production, distribution, and viewing reception experience. The 2018
‘Stars & Screen’ Film & Media
History Conference explored this nostalgic re-imagining of cinematic
film/media history and production of stars on screen and its cultural resonance
today.
Thomas Schatz, Professor and Chair of the Department
of Radio-Television-Film at The University of Texas at Austin and author of Hollywood Genres: Formulas, Filmmaking, and
the Studio System; The Genius of the
System: Hollywood Filmmaking in the Studio Era; and Boom and Bust: American
Cinema in the 1940s. He is working on a study of contemporary Hollywood, a
history of Universal, and a revised edition of Hollywood Genres.
Charles Maland, Professor of Film
Studies, American Cultural Studies and American Literature at The University of
Tennessee and author of Chaplin and American Culture: The Evolution of a Star
Image; Frank Capra; City Lights; American Visions: The Films of Chaplin, Ford, Capra, and
Welles; and editor of the complete
works of James Agee.
Matthew Bernstein, Professor and Chair of the Department
of Film and Media Studies at Emory University and author of Walter Wanger, Hollywood Independent; Screening a Lynching: The Leo Frank Case on
Film and Television; editor of Controlling
Hollywood: Censorship and Regulation in the Studio Era and Michael Moore. He is working on Segregated Cinema: Atlanta, 1895-1962
and a history of Columbia Pictures.
Brian Neve, Honorary Reader in Art and Politics of
Film at The University of Bath, UK and author of Film and Politics in America: A Social Tradition; Elia Kazan: The Cinema of an American
Outsider; and The Many Lives of Cy
Endfield: Film Noir, the Blacklist, and Zulu.
Cynthia Baron, Professor of Theatre and Film Studies,
American Culture, and Women’s, Gender & Sexuality Studies at Bowling Green
State University and author of Denzel
Washington; Modern Acting: The Lost
Chapter of American Film and Theatre; and co-author of Reframing Screen Performance and More Than a Method.
Jonathan Olshefski, Filmmaker and Associate Professor of
Radio-Television-Film at Rowan University. His recent feature film,
award-winning documentary, Quest,
premiered in competition at Sundance in 2017 and went on to play in over 70
film festivals across 15 different countries winning the Grand Jury Prize at
Full Frame Documentary Film Festival and the Truer than Fiction award at the
Independent Spirit Awards, where it was nominated for Best Documentary Film.
Jonathan Mason, Filmmaker and Associate Professor of
Radio-Television-Film at Rowan University. His most recent short film, L’echappée is the recipient of the
CANAL+ Short Film Prize, and screened at more than 50 festivals and on
television in 25 countries, including the Clermont Ferrand Film Festival and
Lincoln Center’s African Film Festival New York. He is currently developing the
feature screenplay Schule (based on L’echappée) which was a selection of the
2017 Sundance Film Institute Writers’ Intensive.

Thank
you for attending and speaking at the ‘Stars & Screen’ Film & Media
History Conference! Here are just a few highlights of the many enthusiastic
responses we received:
‘Wonderful Conference! May I take the
opportunity to thank you and the faculty and staff at Rowan University who made
this amazing conference possible this weekend. My panel and I were thrilled to
participate, and I thoroughly enjoyed the keynotes and the panels. It was truly
the first conference I have been to where all the research related to my own
and I had the opportunity to fraternize easily and meet new colleagues and
commiserate with old friends. Thank you again! At the Classical HW SIG
meeting in Seattle I would like to encourage additional conferences like this
throughout the year to allow for additional opportunities to foster new
research in classic Hollywood and American cinema.’
‘I
just wanted to say I think the conference was a huge success and a great
achievement on your part. The quality of the papers was consistently excellent
and everyone I spoke with really enjoyed it. I hope we can do it again in a few
years’ time. I had a really fantastic time and I think you did the department
and Rowan extremely proud. Thanks so much for putting this all together! It was
really wonderful. I saw such a fantastic range of papers at Stars
& Screen! Many, many thanks to all the participants and for organizing the
event. I hope we get to do it again sometime soon!’
‘It
was a wonderful conference. I had such a great experience with so many
fantastic people. Congrats on a great event.’ ‘Amazing conference!’
‘This is really,
really great! Thanks
for the terrific conference you put together. The papers were of a very high caliber indeed and I learned
a great deal from them. The intimate size was perfect for catching up with
old acquaintances and the chance to talk with new ones. The warmth and consideration you
demonstrated really set the tone for the entire event. So thank you again for all your hard
work, and your smart and kind approach to the event.’
‘Really
enjoyed the wide array of fine presentations today at Stars and Screen
conference at Rowan
University today. I’ve added so many films to the must-watch &
must-watch-again-more-attentively-this-time lists. Thanks for everything!’
‘Nice job! Terrific conference!’ ‘Really wonderful conference!
Congratulations!’
‘Thanks to you and
all your colleagues for the good conference this weekend. I heard a bunch of
good papers!’ ‘Every
panel I saw was incredible – Wonderful!’
For years we
have wanted to host a small, warm, intimate, high-quality Film and Media
History Conference here at Rowan to showcase all the fine work in the field, as
well as at our university, to foster greater dialogue and collaboration across
different disciplines and institutions. In October of 2017, we requested STORI
grant funds to organize an innovative new interdisciplinary research initiative
which increases the visibility of Cinema and Media History in our field, as
well as Rowan University, the College of Communication and Creative Arts, and
the Department of Radio, Television and Film. We have been working in
partnership with colleagues at other institutions on an interdisciplinary ‘Stars
& Screen’ Film & Media History Conference. We received STORI grant funds
to organize an innovative new interdisciplinary research initiative on ‘Stars &
Screen’ Film & Media History Conference for film and media historians,
scholars and researchers to present scholarly research findings,
analysis and scholarly writing, and present research findings growing out
of this meeting to advance new interdisciplinary research knowledge across the
humanities, sciences, visual arts and social sciences and foster greater
understanding among new scholars in interdisciplinary research fields.

We explored and
pursued this innovative new interdisciplinary research initiative on the
scholarly study of film/media history in the national, international and
regional academic community, aware that there is significant interest in
emergent interdisciplinary research exploring and researching the history of
cinema, screen media, visual culture and the moving image. Moreover, we
recognized the need for a small, intimate interdisciplinary research conference
dedicated to conducting and evaluating primary research from major national
film/media archives examining the history of film, screen media, convergent
visual culture, cinema genres, stars, directors, analyzing how and under what
circumstances films and long form screen media were made, historically
examining the filmmaking industry and media production process over time, how
motion pictures and screen media related to or were influenced by cultural
history, society or current events, historical studies of film/screen culture
drawn from primary archival-based research, historical studies relating to the
history of cinema, the moving image, visual culture, popular screen studies,
and current history of film/screen media/visual culture, convergence, and
filmmaking.
We thus worked
in partnership with colleagues at other institutions, such as the University of
Delaware and Museum of Natural History, to create, organize and launch an
innovative new interdisciplinary research initiative to plan, organize, curate,
program and publicize the conference, select a venue, seek additional funding,
invite scholars, researchers, professors, archivists, writers, curators, and
filmmakers to present innovative new interdisciplinary original research for
this conference. In less than a year, we developed and organized the scope and
focus of the research symposium, conceived and sent out a call for papers for
scholars to present research, reviewed submissions and research presentations
for the program. Then we developed, organized and finalized the program and
made arrangements for the research conference. In late Fall 2017–Spring 2018,
we formed an organizing committee, program committee and advisory board for the
conference, developed a theme for the event, selected a venue, selected and
invited keynote speakers, and established preliminary plans for the symposium.
We then announced and disseminated a Call For Papers for the conference,
publicized the event, reviewed/selected submissions, launched the website,
secured the venues, and began organizing the program and symposium. We would
love to have another conference in the future growing out of the ‘Stars &
Screen’ Film & Media History Conference, if there is interest in the field
and we are able to receive financial support again.
Our ‘Stars &
Screen’ Film & Media History Conference was very successful, drawing 100
attendees and presenters from across the country and around the world, and
allowing film historians, researchers, media scholars, and aspiring students
passionate about cinema and media history to present research at a scholarly
research symposium and stimulate, disseminate, encourage, foster and promote
research and scholarship while also raising scholarly awareness of research on
film/screen media/visual culture history and enabling intellectual exchange
promoting scholarship and teaching. Our hope is for this scholarly research
symposium to lay the groundwork for innovative new interdisciplinary
film/screen media/visual culture history research exchanges in the future,
enable research, scholarship, and future conferences/symposiums growing out of
this research symposium to advance and foster greater understanding among other
scholars and researchers and provide a venue for film/screen media/visual
culture historians to conduct, analyze, present, disseminate, promote and
publish their research and work in the field. In our innovative new interdisciplinary
scholarly research area in the national, international and regional academic
community, there is great and significant research in the field related to
motion picture and screen media history research, archival study and analysis
of research relating to the history of film/screen media/visual culture and the
moving image.
The creation of this innovative new interdisciplinary
research initiative on film/screen media/visual culture history for a scholarly
conference dedicated to conducting and evaluating primary research from major
national film/media archives draws on and extends the valuable exposure that
will further advance and enhance the profile and visibility of our field of
Film and Media History, as well as the scholars, teachers, students and
institutions involved, such as Rowan University, the College of Communication
and Creative Arts, and the Department of Radio, Television and Film in the
field of film/screen media/visual culture history, criticism and cinema/screen
media studies as we move into the next phase of our dynamic growth. Thank you!
Wishing you a fine semester. All best
wishes!
Sheri Chinen Biesen, Ph.D.
Organizer and Conference Chair, Stars & Screen Conference
Professor of Film History, Rowan
University
More
information and the conference program are at the website: starsandscreen.blogspot.com